When it’s not clear how it plays.
When there are different ways to approach it.
When decisions have to be made before you’re on set.

Staging, timing and camera worked through before you commit, so you can shoot it knowing how it plays.

What does a battle with thousands of infantry, cavalry and artillery on a frozen lake actually play like? Where is it shot, what’s done in camera, and what’s handled with VFX?

Battle of Austerlitz — Napoleon (Ridley Scott)

Our Work

Repeatedly trusted by teams behind four Ridley Scott films, multiple Kenneth Branagh films, and over 30 major studio productions.

We help sequences get worked out early, then carried through production and post.

A selection of that work:

How we help

Previs

When a sequence hasn’t been worked out yet, it could play several different ways – and there’s no clear sense yet of which will work.

We work alongside you, testing locations, staging and action – always with VFX and camera, and whatever other departments the sequence requires – gathering the knowledge needed so every decision is grounded in what can actually be achieved.

By the time you shoot, the key decisions are already made, and the whole team knows what they’re aiming for.

Postvis

When a sequence is taking shape in the edit, it’s often still unclear how it will play once the VFX are there.

We support the edit with postvis, building the sequence out so timing, scale and intent become clear and stay consistent across every shot as it evolves.

By the time it goes to vendors, everything is defined, consistent, and ready to brief.

Our Clients

Small sequence or full show.
Planned or last-minute.
We get it working before you commit.
So you can shoot it knowing it plays.

Talk to us

production@argonfx.com
Jason McDonald
+44 7932 057322

London-based. UK-qualified vendor for global productions seeking tax relief.
Working in previs and postvis across film & TV.

Resolving sequences since 2011.