When a sequence is complex, we help directors and VFX teams work out how it plays and how it lands.
When it hasn’t been worked out yet.
When it’s not working yet.
When decisions have to be made before you’re on set.
Staging, timing, and camera are clearly figured out, so the sequence holds together.
So you can commit to shooting it, knowing it plays.
Napoleon (Ridley Scott)
Large-scale battle sequences involving thousands of characters, developed and refined before shooting.
Our Work Hidden
Our Work
From early planning through to post, we help sequences hold together.
Across 30+ major films, including five with Ridley Scott, we’re brought in to work out sequences properly and keep them working through production and post.
Previs
How we help
We work as an experienced team of senior artists who have worked together for years, coordinating closely with all departments to keep everything aligned.
Previs
We start wherever you’re at, from rough ideas to detailed boards, and work the sequence through from overall staging into shots, so you can see how it plays before you shoot it.
Postvis
We provide temporary VFX that allow editorial to cut and develop the sequence, shaping the VFX look and keeping it consistent so it plays and holds together through post.
Our Clients
Get in touch
Whether it’s a small sequence or a full production, planned or last-minute, we mobilize a specialist team to work the sequence through so it plays and holds together.