When a sequence hasn’t been worked out yet, we help directors and VFX teams see how it plays before they commit to shooting.

When it hasn’t been worked out yet.
When it’s not clear how it plays.
When decisions have to be made before you’re on set.

Staging, timing and camera worked through before you commit, so you can shoot it knowing how it plays.

Napoleon (Ridley Scott)
Large-scale battle sequences involving thousands of characters, worked out and refined before shooting.

Our Work

Across 30+ major films, including five with Ridley Scott and multiple projects with Kenneth Branagh, we’re brought in to resolve sequences and carry them through production and post so they hold together.

London-based, working across UK and international productions, including projects that qualify for UK tax relief.

How we help

Previs

When a sequence hasn’t been worked out yet, we step in with previs to shape it and make sure it plays clearly before you commit to shooting.
We build and iterate quickly, working through staging and timing so the sequence plays clearly as it’s put together.

Postvis

When a sequence is already in progress but not landing yet, we step in with postvis to shape it and get it working in the edit.
We keep the sequence clear and consistent as it evolves, so it holds together through editorial and post.

Team

A tight team of senior artists who’ve worked together for years.
No onboarding. No ramp-up.
We embed quickly and stay aligned across every department.

Our Clients

Small sequence or full production. Planned or last-minute. We get the right people on it fast, so you can shoot it knowing it plays.

Talk to us

production@argonfx.com
Jason McDonald +44 7932 057322
London, UK